Travel and Travail: Early Modern Women, English Drama, and the Wider World
edited by Patricia Akhimie and Bernadette Andrea | University of Nebraska Press, 2019
Travel and Travail conclusively refutes the notion of female travel in the early modern era as “an absent presence.” The first part of the volume offers analyses of female travelers (often recently widowed or accompanied by their husbands), the practicalities of female travel, and how women were thought to experience foreign places. The second part turns to literature, including discussions of roving women in Shakespeare, Margaret Cavendish, and Thomas Heywood. Whether historical actors or fictional characters, women figured in the wider world of the global Renaissance, not simply in the hearth and home.
Shakespeare and the Cultivation of Difference: Race and Conduct in the Early Modern World
by Patricia Akhimie | Routledge, 2018
Shakespeare and the Cultivation of Difference reveals the relationship between racial discrimination and the struggle for upward social mobility in the early modern world. Reading Shakespeare’s plays alongside contemporaneous conduct literature - how-to books on self-improvement - this book demonstrates the ways that the pursuit of personal improvement was accomplished by the simultaneous stigmatization of particular kinds of difference. The widespread belief that one could better, or cultivate, oneself through proper conduct was coupled with an equally widespread belief that certain markers (including but not limited to "blackness"), indicated an inability to conduct oneself properly, laying the foundation for what we now call "racism."
Blacks in the Dutch World: The Evolution of Racial Imagery in a Modern Society
by Allison Blakely | Indiana University Press, 2001
Blacks in the Dutch World examines the interaction between Black history and Dutch history to gain an understanding of the development of racial attitudes. Allison Blakely reveals cracks in the self-image and reputation of Dutch society as a haven for those escaping intolerance. Pervasive images of "the Moor" and "the noble savage" appear in Dutch art and popular culture; and "Black Pete" is a servant to Santa Claus in Dutch Christmas tradition. These and many other cultural artifacts reflect the racial stereotyping of Blacks that existed in the Dutch world through the time of slavery and servitude, and then freedom.
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Visions of Deliverance: Moriscos and the Politics of Prophecy in the Early Modern Mediterranean
by Mayte Green-Mercado | Cornell University Press, 2020
In Visions of Deliverance, Mayte Green-Mercado traces the circulation of Muslim and crypto-Muslim apocalyptic texts known as joferes through formal and informal networks of merchants, Sufis, and other channels of diffusion among Muslims and Christians across the Mediterranean from Constantinople and Venice to Morisco towns in eastern Spain. The movement of these prophecies from the eastern to the western edges of the Mediterranean illuminates strategies of Morisco cultural and political resistance, reconstructing both productive and oppositional interactions and exchanges between Muslims and Christians in the early modern Mediterranean.
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Cervantes, the Golden Age, and the Battle for Cultural Identity in 20th-Century Spain
by Ana Laguna | Bloomsbury, 2021
Studies that connect the Spanish 17th and 20th centuries usually do so through a conservative lens, assuming that the blunt imperialism of the early modern age, endlessly glorified by Franco's dictatorship, was a constant in the Spanish imaginary. This book, by contrast, recuperates the thriving, humanistic vision of the Golden Age celebrated by Spanish progressive thinkers, writers, and artists in the decades prior to 1939 and the Francoist Regime. The hybrid, modern stance of the country in the 1920s and early 1930s would uniquely incorporate the literary and political legacies of the Spanish Renaissance into the ambitious design of a forward, democratic future.
Divine Institutions: Religions and Community in the Middle Roman Republic
by Dan-el Padilla Peralta | Princeton University Press, 2020
Blending the latest advances in archaeology with innovative sociological and anthropological methods, Dan-el Padilla Peralta takes readers from the capitulation of Rome’s neighbor and adversary Veii in 398 BCE to the end of the Second Punic War in 202 BCE, demonstrating how the Roman state was redefined through the twin pillars of temple construction and pilgrimage. He sheds light on how the proliferation of temples together with changes to Rome’s calendar created new civic rhythms of festival celebration, and how pilgrimage to the city surged with the increase in the number and frequency of festivals attached to Rome’s temple structures.
Undocumented: A Dominican Boy's Odyssey from a Homeless Shelter to the Ivy League
by Dan-el Padilla Peralta | Penguin Random House, 2016
Dan-el Padilla Peralta has lived the American dream. As a boy, he arrived in the United States legally with his family. Together they had traveled from Santo Domingo to seek medical care for his mother. Soon the family’s visas lapsed, and Dan-el’s father eventually returned home. But Dan-el’s courageous mother decided to stay and make a better life for her bright sons in New York City.
Rome, Empire of Plunder: The Dynamics of Cultural Appropriation
co-edited by Dan-el Padilla Peralta | Cambridge University Press, 2017
Bringing together philologists, historians, and archaeologists, Rome, Empire of Plunder bridges disciplinary divides in pursuit of an interdisciplinary understanding of Roman cultural appropriation - approached not as a set of distinct practices but as a hydra-headed phenomenon through which Rome made and remade itself, as a Republic and as an Empire, on Italian soil and abroad. The studies gathered in this volume range from the literary thefts of the first Latin comic poets to the grand-scale spoliation of Egyptian obelisks by a succession of emperors, and from Hispania to Pergamon to Qasr Ibrim.
Roma in the Medieval Islamic World
by Kristina Richardson | Bloomsbury, 2021
In Middle Eastern cities as early as the mid-8th century, the Sons of Sasan begged, trained animals, sold medicinal plants and potions, and told fortunes. They captivated the imagination of Arab writers and playwrights, who immortalized their strange ways in poems, plays, and the Thousand and One Nights. Using a wide range of sources, Richardson investigates the lived experiences of these Sons of Sasan, who changed their name to Ghuraba' (Strangers) by the late 1200s.
Difference and Disability in the Medieval Islamic World
by Kristina Richardson | Edinburgh University Press, 2012
Did you know that blue eyes, baldness, bad breath and boils were all considered bodily 'blights' by Medieval Arabs, as were cross eyes, lameness and deafness? What assumptions about bodies influenced this particular vision of physical difference? How did blighted people view their own bodies? Through close analyses of anecdotes, personal letters, (auto)biographies, erotic poetry, non-binding legal opinions, diaristic chronicles and theological tracts, the cultural views and experiences of disability and difference in the medieval Islamic world are brought to life.
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Affect, Emotion, and Subjectivity in Early Modern Muslim Empires: New Studies in Ottoman, Safavid, and Mughal Art and Culture
edited by Kishwar Rizvi | Brill, 2018
Affect, Emotion and Subjectivity in Early Modern Muslim Empires presents new approaches to Ottoman Safavid and Mughal art and culture. Taking artistic agency as a starting point, the authors consider the rise in status of architects, the self-fashioning of artists, the development of public spaces, as well as new literary genres that focus on the individual subject and his or her place in the world. They consider the issue of affect as performative and responsive to certain emotions and actions, thus allowing insights into the motivations behind the making and, in some cases, the destruction of works of art. The interconnected histories of Iran,Turkey and India thus highlight the urban and intellectual changes that defined the early modern period.
The Transnational Mosque: Architecture and Historical Memory in the Contemporary Middle East
by Kishwar Rizvi | University of North Carolina Press, 2020
Kishwar Rizvi, drawing on the multifaceted history of the Middle East, offers a richly illustrated analysis of the role of transnational mosques in the construction of contemporary Muslim identity. As Rizvi explains, transnational mosques are structures built through the support of both government sponsorship, whether in the home country or abroad, and diverse transnational networks. By concentrating on mosques--especially those built at the turn of the twenty-first century--as the epitome of Islamic architecture, Rizvi elucidates their significance as sites for both the validation of religious praxis and the construction of national and religious ideologies.
Shahzia Sikander: Extraordinary Realities
The Morgan Library and Museum, 2021
Pakistani American artist Shahzia Sikander is internationally celebrated for bringing Indo-Persian manuscript-painting traditions into dialogue with contemporary art practice. This exhibition tracks the first fifteen years of this artistic journey, from her groundbreaking deconstruction of manuscript painting in Pakistan to the development of a new personal vocabulary at RISD, expanded explorations around identity as a Core fellow at the Glassell School of Art at the Museum of Fine Arts, Houston, and her global outlook during her first years in New York. During this period, Sikander richly interrogated gender, sexuality, race, class, and history, creating open-ended narratives that have sustained her work as one of the most significant artists working today.
Shahzia Sikander: Extraordinary Realities
edited by Sadia Abbas and Jan Howard | University of Chicago Press, 2021
Pioneering Pakistani American artist Shahzia Sikander is one of the most influential artists working today. Sikander is widely celebrated for expanding and subverting miniature painting to explore gender roles and sexuality, cultural identity, racial narratives, and colonial and postcolonial histories. This lively volume presents her powerful early work, created between 1987 and 2003, from South Asian, West Asian, and Western perspectives, illuminating new understandings for a wide audience. Charting her early development as an artist in Lahore and the United States, the book reclaims her critical role in bringing miniature painting into dialogue with contemporary art, especially in Pakistan, international art discourse of the 1990s, and contemporary global practices and debates.
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The Corporate Commonwealth: Pluralism and Political Fictions in England, 1516-1651
by Henry S. Turner | University of Chicago Press, 2016
The Corporate Commonwealth traces the evolution of corporations during the English Renaissance and explores the many types of corporations that once flourished. Along the way, the book offers important insights into our own definitions of fiction, politics, and value. Henry S. Turner uses the resources of economic and political history, literary analysis, and political philosophy to demonstrate how a number of English institutions with corporate associations—including universities, guilds, towns and cities, and religious groups—were gradually narrowed to the commercial, for-profit corporation we know today, and how the joint-stock corporation, in turn, became both a template for the modern state and a political force that the state could no longer contain.
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Early Modern Theatricality
edited by Henry S. Turner | Oxford University Press, 2013
The original essays in Oxford Twenty-First Century Approaches to Literature mean to provoke rather than reassure, to challenge rather than codify. Instead of summarizing existing knowledge scholars working in the field aim at opening fresh discussion; instead of emphasizing settled consensus they direct their readers to areas of enlivened and unresolved debate. Following the models established by previous volumes in the series, Early Modern Theatricality launches a new generation of scholarship on early modern drama by focusing on the rich formal capacities of theatrical performance.
The Way of the Barbarians: Redrawing Ethnic Boundaries in Tang and Song China
by Shao-yun Yang | University of Washington Press, 2019
Shao-yun Yang challenges assumptions that the cultural and socioeconomic watershed of the Tang-Song transition (800–1127 CE) was marked by a xenophobic or nationalist hardening of ethnocultural boundaries in response to growing foreign threats. In that period, reinterpretations of Chineseness and its supposed antithesis, “barbarism," were not straightforward products of political change but had their own developmental logic based in two interrelated intellectual shifts among the literati elite: the emergence of Confucian ideological and intellectual orthodoxy and the rise of neo-Confucian (daoxue) philosophy.
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