2021-2022 Recipients

Sawyer Kemp

Sawyer Kemp (they/them) is a Chancellor’s Postdoctoral Fellow in Transgender Studies with the Gender & Women’s Studies department at the University of Illinois, Urbana-Champaign. Sawyer’s current book project investigates the rhetoric and industry of “accessibility” in contemporary Shakespeare performance. Exploring access as a tool for feminist and queer critique, this project analyzes theatres’ impact on and outreach to communities of trans and gender non-conforming people, sexual assault survivors, and people with disabilities.

Sawyer’s work has appeared in Shakespeare Quarterly, Shakespeare Studies, The Journal for Early Modern Cultural Studies, and the edited collection Teaching Social Justice Through Shakespeare. Their most recent article, “Two Othellos: Transitioning Anti-Blackness” is forthcoming in Shakespeare Bulletin

Cameron Hunt McNabb

Cameron Hunt McNabb's academic interests include disability studies, early drama, and pedagogy, and she is the editor for The Medieval Disability Sourcebook: Western Europe, an open-access volume on disability in the European Middle Ages. She has published in numerous peer-reviewed journals, including Early Theatre, Studies in Philology, and Neophilologus, and her essay "Night of the Living Bread: Unstable Signs in Chester's 'Antichrist'" won Early Theatre's Best Interpretive Essay for 2015-2017. She also engages in public scholarship, with articles in Slate and Salon. Her latest book project Dramatic Prosthesis: Disability Studies and Drama was recently awarded an NEH Summer Stipend. 

2020-2021 Recipients

Letha Ch'ien

Letha Ch’ien is an Assistant Professor in art history at Sonoma State. She completed her Ph.D. at the University of California, Berkeley with a dissertation titled Making Miracles at the Scuola Grande di San Marco from Bellini to Tintoretto. Her research in Venice has been supported by Fulbright, Gladys Krieble Delmas Foundation, Mabel McLeod Lewis Memorial Fund, and Sonoma State University. She has pursued paleographic training with the Medici Archive Project and at the Newberry Library and has participated in the NEH seminar Transcending Boundaries: the Ottoman Empire, Europe, and the Mediterranean World 1500-1800.

Forthcoming publications include "Polytopos: Multi-ethnic Practice in Venetian Imagery,” in Cultures and Practices of Coexistence in the Multi-ethnic Cities of the Mediterranean World, 13th – 18th Centuries Volume I, Multi-Ethnic Cities of the Mediterranean World edited by Marco Folin, Antonio Musarra and published by Routledge and “Finding, Stealing, Translating: the Subject(s) of Tintoretto’s Brera Scuola Grande di San Marco Istoria” in Ekphrastic Image-making in the Early Modern Europe and the Americas, edited by Walter S. Melion, Arthur J. DiFuria and published by Brill. Her book project titled Polytopos: Venice, Empire, and Art moves beyond the eyewitness model to explain how Venetian imagery layered time and space in order to advance an imperial notion of itself as all-encompassing. 

Mira Assaf Kafantaris

Mira Assaf Kafantaris is a Senior Lecturer in the English Department at the Ohio State University. She is completing a book manuscript, titled Royal Marriage, Foreign Queens, and Constructions of Race in the Early Modern Period, which argues that representations of foreign royal women, alongside bonds of kinship and theories of matrimony, drive early modern racial formations. She is co-editing, with Sonja Drimmer and Treva B. Lindsey, a Special Issue of Barnard Center for Research on Women’s The Scholar and Feminist Online, titled "Race-ing Queens."

Her work has appeared or is forthcoming in The Cambridge Edition of the Works of Ben Jonson, The Palgrave Handbook of Shakespeare’s Queens, Race and/as Affect in Early Modern Literature, The Rambling, The Conversation, Synapsis, and Medium-Equity. She is the recipient of the highly competitive Presidential Fellowship from The Ohio State University and several grants from the Folger Shakespeare Library and the Shakespeare Association of America.

2019-2020 Recipients

Hannah Johnson

Hannah Johnson, Associate Professor of English at the University of Pittsburgh, is writing an academic trade book on the history of violent persecution in premodern Europe, Deadly Words: Witches, Jews, and Muslims in the First Era of Fake News. This project explores the deep history of contemporary problems of exclusion and violence by examining the stories people have told in the past when they wielded words as weapons. Johnson’s previous works include Blood Libel: The Ritual Murder Accusation at the Limit of Jewish History, and a book co-written with Heather Blurton under the aegis of an ACLS Fellowship, The Critics and the Prioress: Antisemitism, Criticism, and Chaucer’s Prioress’s Tale.

Gabriel de Avilez Rocha

Gabriel de Avilez Rocha is Assistant Professor of History at Drexel University, specializing in the social, environmental, and legal history of the Atlantic world. His manuscript in progress, Empire from the Global Commons: Capture, Escape, and Colonial Governance in the Early Atlantic, examines how popular struggles over the appropriation of the global commons – from pelagic fish in Atlantic African sea lanes to feral cattle in Caribbean borderlands – shaped the Iberian and French empires over the long fifteenth century. His articles and chapters have appeared or are forthcoming in Early American Studies, the Colonial Latin American Review, and Early Modern Black Diaspora Studies: A Critical Anthology.